There are so many ways to print an image, so many papers and inks, and thousands of ways to frame or mount it. How does one choose? We've tried to simplify this process, by offering the types of prints, frames, and mountings that we use and love in our own home, and that we know complement our artwork. 

Here is a short guide to the formats we offer:

Acrylic Block Gift Box

A small display piece — usually 4×6 or 8×8 inches. Whitewall's method is what makes this worth offering: the image is printed on archival paper first, then bonded to the acrylic. Many competitors print directly to acrylic, which compromises color reproduction and longevity. Our version keeps the brilliance and dimensional quality of a full acrylic presentation at a size and price that make it right for gifting or for a small dedicated space. Ships in a gift box. Available for images with native 1:1, 3:2, or 4:3 aspect ratios; for wider panoramas or unusual crops, see the other formats or request a custom quote.

Fine Art Bonded Acrylic

This is our premier print format. Pigment inkjet on Hahnemühle fine art paper, laminated behind glossy acrylic glass on an Alu-Dibond backing, in a brushed silver slimline case. The pigment inkjet process holds the widest color spectrum and the finest tonal gradation of any medium we offer, and the paper is archival for generations. This is our default gallery presentation. We love how the slimline case creates a sense of elegance, while staying out of the way of the print.

Passe-Partout, Black or White

Baryta paper — the silver-tone paper fine art black-and-white printing has used for eighty years — mounted in a double-mat passe-partout framing behind museum glass. Available with a black frame or a white frame; the paper and mat treatment are identical, only the frame color differs. Black frames read more contemporary and architectural; white frames read more traditional and gallery-quiet. Available for any image, though the treatment reads most naturally on monochrome work.

Textile Print

A pigment print on woven textile, wrapped on a wooden stretcher frame with mirror-edge treatment on the sides. Different from standard canvas: the surface is finer, the print holds detail better, the presentation is more sophisticated. Lightweight compared to acrylic or paper-under-acrylic, easier to hang, and the price point stays accessible while still feeling serious. Best for larger sizes and rooms where reduced weight and reflection matter.

Giclée on Alu-Dibond

For those who want to select their own framing and/or glass cover. A giclée fine art print on Hahnemühle FineArt Pearl paper, mounted on Alu-Dibond backing, no glass, no frame. The paper texture is visible; there are no reflections; the print itself is what the viewer sees. This is what a curated gallery show hangs. Best for viewers who want the print to speak without any surface between it and them. It's also for someone who wants to have their print custom framed with specific glass.

Not seeing what you want?

We understand that every living space is unique, and every person has their own tastes. So, if what we offer as our standard array is not exactly what you want, we recommend you reach out to us and let us know what interests you. We can guide you through the vast WhiteWall selection process and prepare a custom quote for you. If you have a specific medium, size, or presentation in mind that isn't listed here, please request a custom quote — we can work directly with Whitewall's full catalog to build a piece to your specifications.

Yes, we do. We have a separate page for just this question.

There are many and varied definitions for the term "Limited Edition," and some of them don't sound very limited. Here is what we mean: we define "Limited Edition" by the image itself. Each image can be acquired in one of several motifs: an Acrylic Bond Print, a Passe-Partout frame, etc. Every one of those productions counts against our limit of 100 productions of each image. So, if there are 5 framed prints ordered, 10 textile prints, and 7 acrylic blocks, all 22 of those count together against the 100-print limit. For that image, there would be 78 prints remaining of any type. Once an image has been printed 100 times, no matter what the format, it will not be printed again.

This is one of the reasons we issue a Certificate of Authenticity with each of our prints. In this way, our collectors know the serialized identity of their print, and that only 99 other editions of the image will ever exist.

Our Acrylic Block Photo Prints contain animal ingredients (gelatine). However, our Bonded Acrylic Prints, our framed Passe-Partout Prints, and our unframed Giclée Prints are printed on Hahnemühle Fine Art Pearl paper with vegan ink. Our Textile Prints are also printed with vegan ink.

Yes, we do. You can find this advice on our Caring For Your Artwork page.

Depending on the image, medium, and format you acquire, you will recieve a serialized Certificate of Authenticity either digitally (that you can download and print for your records) or via delivery from our studio in Morada, California. This may arrive slightly before or after the artwork itself, depending on where you are.

That's a great question. With the world flooded with pretty pictures, why should you buy artwork from us? We've given that a lot of thought and have dedicated a separate page to the answer.

Oui, nous expédions partout dans le monde. Les frais d'expédition seront appliqués et ajoutés au moment du paiement. Nous offrons des réductions et des promotions toute l'année, restez donc à l'affût des offres exclusives.

Cela dépend de votre localisation. Les commandes traitées ici prendront 5 à 7 jours ouvrables pour arriver. Les livraisons à l'étranger peuvent prendre de 7 à 16 jours. Les détails de livraison seront fournis dans votre e-mail de confirmation.

Vous pouvez nous contacter via notre page de contact ! Nous serons ravis de vous aider.